|
A cursive or script font will give a more human aspect to the message while capital letters (CAPS LOCK) will give the impression of shouting your message. A paragraph written with a linear font, give a more modern look to your text. A font with large gaps between its strokes and pronounced serifs will give a prestige look to your message. As for decorative fonts, think of all those movie posters. The title is as much in the font design as it is in the wording! It is possible to influence the word with a choice of font, which to some extent illustrates the content. This technique is especially useful in titles and logos. Choice of fonts In choosing fonts, the most important element is readability. The main factors to consider are the size of the characters, the distance between the lines (leading) the spacing between the characters and the length of the line. In a layout, it is best to limit yourself to 2-3 fonts only.
Too many varieties will dilute the impact of your message and divert attention. It is best to start by choosing the font that will be most present in the document, generally the body of the text. Once this font has been chosen, lineal or serif, determine in advance the necessary variations according to your content (italic, bold, condensed, It's best image manipulation service to have a fairly visible gap between the styles so you don't confuse them. This is because there is usually not enough of a fat (thickness) gap between light and normal style, or medium and fat. In the most complete fonts, be sure to skip at least 2 weights to have enough spread. If the policy is incomplete or does not offer the desired possibilities, there is still time to change! The key to success is in the balance between contrast and complementarity in your typographic choices.

Once you have determined your base font, refer to the document structure to determine the styles for the different heading levels. A 3rd or 4th level subtitle is generally better represented by the same font as the body text, but with a different treatment (bold, underline, italic, …) whereas a higher level title deserves more contrast pronounced. The use of a complementary and very different typeface can be an interesting solution. For running text that is linear and thin, a serif and bold heading will provide an interesting contrast to your layout. It is indeed difficult to combine 2 lineal fonts or 2 serif fonts in the same layout. To succeed, they must be radically different, Tools There are several tools to help you choose your fonts. For graphic designers, the latest versions of InDesign and especially Illustrator now offer several filters that group and find similar fonts for you to help you with your selection. This is one of the aspects where the artificial intelligence of the software serves the graphic designer.
|
|